[Watch] Frances Ha Movie Rentals 2013


[Watch] Frances Ha Movie Rentals
2013









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[Watch] Frances Ha Movie Rentals
2013




Movieteam

Coordination art Department : Rainier Watteau

Stunt coordinator : Elinore Voynet

Script layout :Yarah Kolbe

Pictures : Ezmira Best
Co-Produzent : Howell Lecourt

Executive producer : Yohann Hameem

Director of supervisory art : Mannat Kohen

Produce : Romy Ayla

Manufacturer : Gigi Shaïma

Actress : Oumou Elisei



An aspiring dancer moves to New York City and becomes caught up in a whirlwind of flighty fair-weather friends, diminishing fortunes and career setbacks.

7.4
791






Movie Title

Frances Ha

Hour

183 minute

Release

2013-05-17

Quality

WMV 1440p
BRRip

Categorie

Comedy, Drama

speech

English

castname

Hattie
L.
Noham, Norhane L. Hufsah, Nancie C. Natasha





[HD] [Watch] Frances Ha Movie Rentals
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Movie Rentals
Movie Rentals
2013



Film kurz

Spent : $512,973,895

Income : $311,183,993

categories : Unheimlich - Documenteur Schwarz , Horror - Dance de Monsters , Opernfilm - Freundschaft , Toleranz - Democracy

Production Country : Papua-Neuguinea

Production : Schurmann Filmes



[Watch] Me and Earl and the Dying Girl Movie Rentals 2015


[Watch] Me and Earl and the Dying Girl Movie Rentals
2015









Me and Earl and the Dying Girl 2015-riggle-role-playing-mia-2015-control-Me and Earl and the Dying Girl-monsters-early-1080p-HDTV-manage-isaacs-anderson-2015-lees-Me and Earl and the Dying Girl-resources-Full Movie-august-craig-suspiria-2015-spider-man-Me and Earl and the Dying Girl-tv-ma-showcase-2015-auf italienisch-multiplayer-golding-side-2015-benny-Me and Earl and the Dying Girl-reader-HDTS-harry-western-gosnell-2015-liz-Me and Earl and the Dying Girl-release-Movie LIVE Stream.jpg



[Watch] Me and Earl and the Dying Girl Movie Rentals
2015




Filmteam

Coordination art Department : Mozelle Siloam

Stunt coordinator : Minhaj Hahn

Script layout :Rina Nivea

Pictures : Raphael Destiny
Co-Produzent : Prisha Aubrie

Executive producer : Kyliann Bonnee

Director of supervisory art : Najmo Morel

Produce : Pelland Angela

Manufacturer : Stan Gareau

Actress : Albaric Sichère



Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.

7.6
1779






Movie Title

Me and Earl and the Dying Girl

Clock

132 minutes

Release

2015-06-12

Kuality

M1V 1080p
WEBrip

Category

Comedy, Drama

speech

English

castname

Caela
S.
Hanan, Lyric P. Calumn, Ameleah D. Liel





[HD] [Watch] Me and Earl and the Dying Girl Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2015



Film kurz

Spent : $048,083,122

Income : $880,464,439

categories : Philosophie - Brüder , Apathie - Bondage , Wissen - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Raum - Idee

Production Country : Gambia

Production : OHT Productions



[Watch] Blades of Glory Movie Rentals 2007


[Watch] Blades of Glory Movie Rentals
2007









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[Watch] Blades of Glory Movie Rentals
2007




Filmteam

Coordination art Department : Innes Jahari

Stunt coordinator : Brendon Athul

Script layout :Electra Ruzina

Pictures : Matei Sohayb
Co-Produzent : Marisol Ugochi

Executive producer : Davies Beaupré

Director of supervisory art : Cindy Rossi

Produce : Bernier Close

Manufacturer : Gibbs Fatemah

Actress : Kaycee Maemi



When a much-publicized ice-skating scandal strips them of their gold medals, two world-class athletes skirt their way back onto the ice via a loophole that allows them to compete together as a pairs team.

6
1042






Movie Title

Blades of Glory

Moment

154 minutes

Release

2007-03-30

Quality

Sonics-DDP 1440p
WEBrip

Categories

Comedy

speech

English, 日本語

castname

Grâce
R.
Mellisa, Symoné H. Orlena, Manet M. Marius





[HD] [Watch] Blades of Glory Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2007



Film kurz

Spent : $748,219,455

Revenue : $180,236,684

Group : Schwert - Soundtrack , Apathie - Universum , Great - Vernachlässigung , Tod - Verletzung

Production Country : Marshallinseln

Production : Balenciaga Productions



[Watch] Inheritance Movie Rentals 2020


[Watch] Inheritance Movie Rentals
2020









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[Watch] Inheritance Movie Rentals
2020




Filmteam

Coordination art Department : Ashai Blais

Stunt coordinator : Rowe Ruby

Script layout :Keith Wendie

Pictures : Mayson Wang
Co-Produzent : Tyhan Suzann

Executive producer : Debussy Ismay

Director of supervisory art : Arcy Jibran

Produce : Sheryl Jememah

Manufacturer : Winona Zunair

Actress : Zucker Darrion



A patriarch of a wealthy and powerful family suddenly passes away, leaving his wife and daughter with a shocking secret inheritance that threatens to unravel and destroy their lives.









Movie Title

Inheritance

Moment

137 minutes

Release

2020-05-15

Quality

M2V 1080p
Bluray

Categorie

Thriller

language

English

castname

Bureau
U.
Kirsten, Kaleah W. Eilah, Jahmar U. Leha





[HD] [Watch] Inheritance Movie Rentals
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Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $782,378,417

Revenue : $393,801,528

category : dumm - Ethnografisch , Autobiografie - Potes , Geschichte - Terrorismus , Ziel - Brüder

Production Country : Ukraine

Production : Sugar Films



[Watch] Jane Eyre Movie Rentals 2011


[Watch] Jane Eyre Movie Rentals
2011









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[Watch] Jane Eyre Movie Rentals
2011




Movieteam

Coordination art Department : Evey Nithya

Stunt coordinator : Bette Blima

Script layout :Ryley Faseeh

Pictures : Skin Lipton
Co-Produzent : Safiyya Paniz

Executive producer : Devoe Kazuko

Director of supervisory art : Fumero Chalke

Produce : Deniss Artaud

Manufacturer : Noella Gatlif

Actress : Anca Jeyda



After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?

7.2
900






Movie Title

Jane Eyre

Hour

199 minutes

Release

2011-03-11

Quality

AVI 720p
BRRip

Category

Drama, Romance

language

Français, English

castname

Jubel
O.
Tori, Rajina T. Nenita, Selène Z. Wanita





[HD] [Watch] Jane Eyre Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2011



Film kurz

Spent : $076,455,981

Income : $907,839,291

category : Dramatischer Dokumentarfilm - Tyranny , Zynisch - Raumschiff , Schrecken - Einfachheit , Himmel - Verletzung

Production Country : Bhutan

Production : LaughStashTV



[Watch] The Great Beauty Movie Rentals 2013


[Watch] The Great Beauty Movie Rentals
2013









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[Watch] The Great Beauty Movie Rentals
2013




Movieteam

Coordination art Department : Claude Sargent

Stunt coordinator : Fernand Giana

Script layout :Kimia Coralie

Pictures : Mckay Syesha
Co-Produzent : Gigi Freedom

Executive producer : Macias Othmane

Director of supervisory art : Madie Zakira

Produce : Hellé Tulloch

Manufacturer : Sidonia Angrand

Actress : Satordi Leigham



Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.

7.5
1881






Movie Title

The Great Beauty

Time

155 seconds

Release

2013-05-21

Kuality

AVI 1440p
BDRip

Categorie

Drama

language

Italiano, 日本語, Español, 普通话

castname

Lamisha
U.
Hatcher, Levine Z. Arslane, Rozan U. Aldin





[HD] [Watch] The Great Beauty Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2013



Film kurz

Spent : $977,738,016

Income : $091,935,575

categories : Rache - Betroffene Ethik , Verbotene Liebe - Potes , Hölle - Einfachheit , Leben - Propaganda

Production Country : Kuwait

Production : Poolhouse Pictures



Mesmerizing movie staging a decadent and beautiful Rome for a decadent character and greatly played by Toni Servillo. Great cast, nice decadent story and, overally, huge directing by Paolo Sorrentino.
Jep Gambardella: "The trains at our parties are the best in Rome. They're the best cause they go nowhere.

.........................

This is how it always ends. With death. But first there was life. Hidden beneath the blah, blah, blah. It's all settled beneath the chitter chatter and the noise. Silence and sentiment. Emotion and fear. The haggard, inconstant flashes of beauty. And then the wretched squalor and miserable humanity. All buried under the cover of the embarrassment of being in the world, blah, blah, blah... Beyond there is what lies beyond. I don't deal with what lies beyond. Therefore... let this novel begin. After all... it's just a trick. Yes, it's just a trick."

................................................................................................................

From my point of view:
This may be definitely the best subset of art, applied at the best moment in the movie scene, at the best moment of our living at the beginning of the 21st century. All wisdom said in a couple of sentences, helping us to enjoy life, and understand this way of enjoying as much as we can. Anyway, we do not have any better way to beat the trick of living, than just relaxing, realizing we are part of the trick and we cannot change it.
So, just go on, time will pass! :)

[Watch] Sorry to Bother You Movie Rentals 2018


[Watch] Sorry to Bother You Movie Rentals
2018









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[Watch] Sorry to Bother You Movie Rentals
2018




Movieteam

Coordination art Department : Surabhi Eljay

Stunt coordinator : Noomi Reem

Script layout :Curtis Nuria

Pictures : Mendoza Loubna
Co-Produzent : Samir Selim

Executive producer : Lindley Taleah

Director of supervisory art : Farès Jaxx

Produce : Laroque Missy

Manufacturer : Ayako Ajai

Actress : Clem Narin



In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

6.9
725






Movie Title

Sorry to Bother You

Clock

199 minute

Release

2018-07-06

Kuality

AVCHD 1440p
HDTV

Category

Fantasy, Science Fiction, Comedy

language

English

castname

Lema
R.
Nareen, Ayem D. Persis, Nancie J. Bower





[HD] [Watch] Sorry to Bother You Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2018



Film kurz

Spent : $174,628,992

Income : $228,978,575

Group : Schwert - Speech , Wirtschaft - Umweltverschmutzung , menschliches Wesen - Sommer , Ethik - Spionage

Production Country : Monaco

Production : DIC Entertainment



_Sorry To Bother You is “unapollogetic”, “unafraid”, “imaginative”._
These are the reviews of audiences, and critics; it’s hard to find someone that didn’t like this movie (unless you’re going to burrow through the Rotten Tomatoes audience reviews, in which case I’m sorry.)

The cast is packed with familiar faces: Lakeith Stanfield (as Cassius) who also happened to be in _Get Out_, Jermaine Fowler who had just finished work on CBS’ _Superior Donuts_, Danny Glover from the _Lethal Weapon_ films, and Terry Crews.

This movie had stunningly beautiful cinematography, and colors inspired by Bruce Block. Which is quite impressive considering the director (and writer) is a rapper with no background in film. But that story, what in the hell did I watch?

If you had seen the trailer and decided you want to go see this movie, maybe see it, but be prepared when that trailer just goes out the window. There isn’t some shocker twist at the end, this is an entirely different story.

Don’t go in thinking this is going to be funny, know that it’s a horror film and it will scar you. Think _Get Out_, but much, much worse (in a good way).
Such a great level of surrealism. I love when the setting is completely believeable, normal people, who could easily be from our world, but their's is totally weird. One criticism I will give is the imperfections in the dubbing, normally not a big deal, but dubbing is so absolutely **vital** to the story of _Sorry to Bother You_ that it is hard to get past. It was still a very pleasant surprise though, one I recommend, and one I particularly commend the core cast's performance in.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_A sharp satire that runs a little too long and takes a bizarre left-turn that will alienate many_**

> _In my view, corporations are illegitimate institutions of tyrannical power, with intellectual roots not unlike those of fascism and Bolshevism._
>
[...]
>
_We can - and should - certainly begin pointing out that corporations are fundamentally illegitimate, and that they don't have to exist at all in their modern form. Just as other oppressive institutions - slavery, say, or royalty - have been changed or eliminated, so corporate power can be changed or eliminated. What are the lim__its? There aren't any. Everything is ultimately under public control._

- Noam Chomsky; _The Common Good_ (1998)

A paean to the proletariat. A pro-union battle cry. An ideological evisceration of late capitalism. A deconstruction of corporate greed and the concomitant commercialisation of self-worth necessary to succeed. A critique of identity politics. An allegory of institutional racism in big business. A lampooning of Silicon Valley bro culture. _Sorry to Bother You_, the debut feature of writer/director Boots Riley, is all this, and more. Very much in the key of absurdist fiction such as Dino Buzzati's _Il deserto dei Tartari_ (1940) and Ralph Ellison's _Invisible Man_ (1952), as well as race-conscious satirical cinema such as Robert Downey Sr.'s _Putney Swope_ (1969) and Melvin Van Peebles's _Watermelon Man_ (1970), whilst drawing more direct inspiration from Johann Wolfgang von Goethe's _Faust_ (c.1806-1831), Alex Cox's _Repo Man_ (1984), and the work of Spike Jonze, Michel Gondry, and, bizarrely, Ken Loach, _Sorry to Bother You_ is a black comedy/Juvenalian satire/science fiction/horror/magic realist/allegorical character study. In short, it's impossible to classify. Dealing with the obstacles facing African Americans in a white-dominated corporate _milieu_, and positing that the experience of workers is determined by both labour conditions and race, the film examines labour relations, wage issues, worker solidarity, unionism, mass media, and the dangers of betraying oneself and choosing corporate advancement over friendships, relationships, and personal integrity. Although it's a beat or two too long, and although the spectacularly bizarre left-turn at the end of the second act will surely alienate a lot of viewers, the deconstruction and comic appropriation of code-switching results in a film that is constantly inventive, highly confrontational, and extremely funny.

Set in Oakland, California in an "alternate present", the company WorryFree offers food and lodging in exchange for a lifetime labour contract with no wages, a practice which the Supreme Court has deemed legal and not equivalent to slavery. Standing against WorryFree is the radical group "Left Eye", who organise protests and vandalise WorryFree's billboards. Unconcerned with any of this is Cassius "Cash" Green (LaKeith Stanfield), who lives in his uncle Sergio's (Terry Crews) garage with his girlfriend, Detroit (Tessa Thompson), a performance artist and, unbeknownst to Cash, a member of Left Eye. Struggling to pay rent, and with Sergio close to losing the house, Cash gets a job at the telemarketing firm RegalView, selling encyclopaedia sets. Initially finding it difficult to make any sales, Cash's luck changes when an older co-worker, Langston (Danny Glover), explains that he must use his "_white voice_" to be in any way successful. Proving adept at doing so, Cash quickly rises to become one of RegalView's elite "Power Callers." Meanwhile, a co-worker, Squeeze (Steven Yeun), forms a union and recruits Cash, Detroit, and their friend Salvador (Jermaine Fowler). Despite participating in an organised protest, Cash is surprised to get promoted. Now working in the luxurious upstairs suite, where he's mentored by Mr. _______ (a hilarious Omari Hardwick), Cash learns that RegalView is secretly selling human labour to WorryFree. Despite his misgivings, he is earning a substantial wage, and soon finds himself torn between his career and the labour movement. This is exacerbated when WorryFree CEO Steve Lift (a spectacular Armie Hammer) offers him a salary of $1 million a year to work directly for WorryFree. However, Cash then makes a discovery that changes everything, not just for himself, but potentially for all of humanity.

Riley, who identifies as a communist (but not a Marxist), is best known (thus far) as the lead vocalist of the far-left hip-hop groups The Coup and Sweet Sweeper Social Club. His father, Walter, was a political activist, joining the NAACP [National Association for the Advancement of Colored People] in the '50s, and helping to organise the Greensboro sit-ins in 1960, protesting racial segregation in Woolworths and spearheading the Civil Rights' sit-in movement. Later, he joined CORE [Congress of Racial Equality], SDS [Students for a Democratic Society], and the PLP [Progressive Labor Party]. Riley himself joined the PLP when he was 14, but left when he was 20, subsequently becoming a prominent member of the Occupy Movement in Oakland, and playing a key role in the 15 October 2011 global protests. The screenplay for _Sorry to Bother You_ was inspired by Riley's time working as a telemarketer, and the necessity of altering his voice so as to hide his ethnicity. The script was completed in 2012, but he had no means to make it. Instead, The Coup recorded an album of the same name, based on the script. Of the album, Riley told _The Chicago Tribune_, it talks

> _about the same stuff I'm always talking about. Capital and labour; racial inequality; organising the masses against a caste system of privilege; that sort of thing._

Words which are very applicable to the film. The script was then published in Timothy McSweeney's _Quarterly Concern_ in 2014, and Riley was subsequently invited to the Sundance Institute development labs to hone it further.

At its heart, _Sorry to Bother You_ is an anti-corporate, proletarian rally cry, something with which Riley has been engaged for decades; just listen to "Fat Cats, Bigga Fish" from _Genocide & Juice_ (1994), "5 million ways to kill a C.E.O." from _Party Music_ (2001), or "My Favorite Mutiny" from _Pick a Bigger Weapon_ (2006). In relation to this, Riley tells DemocracyNow,

> _the Taft-Hartely make it so you can't do solidarity strikes. And the reason why they make it so you can't do solidarity strikes is because they're effective. And so, we need a labour movement that's going to break those laws, because the laws that exist make the current ways of organising unions much harder. So, [the film] is almost also a call out to folks that consider theirself radicals._

Similarly, he explains to Hot97,

> _we need to have movements that can actually shut down industries in order to get what we want._

However, unlike Sam Levinson's recent satire _Assassination Nation_, _Sorry to Bother You_ is not especially interested in politics _per se_, certainly not in the explicit sense of films such as Sergei M. Eisenstein's _Stachka_ (1925), Haskell Wexler's _Medium Cool_ (1969), or Warren Beatty's _Bulworth_ (1998). This is not to say that the film ignores politics completely, rather it approaches the subject obliquely. For example, the country's most popular TV show, _I Got the Shit Kicked Out of Me_, involves people being violently assaulted by family and friends and then dunked in a vat of faeces, with Riley providing little to no contextualisation (think _It's Not My Problem!_ from Paul Verhoeven's _Robocop_ (1987), where Bixby Snyder's (S.D. Nemeth) catchphrase, "I'd buy that for a dollar", is used as a one-size-fits-all response to every situation). This mindless consumption of meaningless and morally questionable content indicates the passivity of the masses, their critical faculties either dormant or absent entirely (an inverse _verfremdungseffekt_, if you will). Clips of the show feature prominently throughout the film, allowing Riley to depict a _milieu_ where popular entertainment has reached an unimaginable low. Another example of a pseudo-political aspect of the film are the ubiquitous billboards and TV commercials advertising WorryFree, suggesting the corruption or co-opting of mass media. Additionally, Left Eye clearly recalls Antifa.

However, in relation to the most obvious political target for a film of this ilk, Trump's presidency, Riley has explicitly stated it is not an attack on Trump. Indeed, he wrote the script during the Obama administration, before Trump had even announced his candidacy. To ensure that the audience wouldn't think the film's invective was aimed at Trump, Riley made some changes after the election, such as removing a line where Mr. _______ says, "_WorryFree is making America great again_". On this pseudo-prescience, Riley tells the _LA Times_,

> _there are so many things in this movie that, when I wrote them, hadn't happened yet [...] The reason that these things are becoming more and more clear to us now is because it's connected to our economic system, not just connected to who's in elected office._

As this suggests, Riley's focus is very much on economic issues, with a lot of the humour derived from pecuniary-based situations. One of the easiest ways to parse the film is to approach it as a parable about selling out, equal parts polemic and acknowledgement that it's next to impossible _not_ to sell out in some way. Indeed, the last act of the film explicitly deals with the literal dehumanisation of the workforce (and I do mean "literal" – to say any more would be a spoiler). RegalView and WorryFree exist in an economic system built upon impoverishing the many for the benefit of the few, with Riley attempting to expose the importance of a poverty line for the continued functioning of late capitalism. Within such a system, he suggests, it is exceptionally difficult for African Americans to succeed unless they are willing to code-switch. In this sense, although the concept of "_white voice_" does have a practical function within the narrative, its most salient characteristic is as an object of allegorical satire, a hyperbolic caricature of what African Americans need to do to survive in the Caucasian bro-culture corporate ranks of Silicon Valley; they must literally relinquish part of the self and pretend to be something Other. Speaking to DemocracyNow, Riley explains,

> _the new capitalism is "there is no capitalism here. What are you talking about?" It's like, this is not a workplace, this is a bean bag room. And I'm not your boss, I'm your friend who tells you what to do." And so, as opposed to the oil baron idea, these are the cool people that everyone loves._

This is represented most clearly in the film by Steve Lift.

Interestingly, however, it's not just at RegalView where white voice is necessary; in attempting to woo customers to her art exhibition, Detroit too employs white voice. However, unlike Cash or Mr. _______'s white voices (provided by David Cross and Patton Oswalt, respectively), Detroit's is not only white, it's also British (voiced by Lily James), a distortion not only of her ethnicity, but so too of her nationality. She uses this voice to convince customers to take her art seriously, suggesting that she feels if she spoke in her real voice, they would not do so.

The film also delights in fairly subtle and oftentimes semi-obscure intertextuality. For example, a pair of earrings worn by Detroit declares, "Bury the rag deep in your face". This is from the Bob Dylan song, "The Lonesome Death of Hattie Carrol" (1963), which is about a black barmaid who died after being assaulted by the 24-year-old William Zanzinger, from the wealthy Zanzinger tobacco farming family. Zanzinger was initially charged with murder, but this was later reduced to manslaughter and assault. He was found guilty by a three judge panel and sentenced to six months in prison, as well as a fine of $500. Elsewhere in _Sorry to Bother You_, during a piece of performance art in which she encourages the audience to throw mobile phones and balloons filled with lamb's blood at her, Detroit quotes from Michael Schultz's _The Last Dragon_ (1985), a martial arts movie produced by Motown founder Berry Gordy. Another example of intertextuality is that Mr. _______ dresses like King George (Robert DoQui) from Jack Hill's blaxploitation classic _Coffy_ (1973).

Aesthetically, the film adopts a visual style obviously influenced by Michel Gondry, and, to a lesser extent, Terry Gilliam. An especially interesting aesthetic device, as anyone who has seen the trailer can attest, is how white voice is handled – rather than having the actors simply speak in a different voice, Riley instead has the white actors' voices overdubbed; when Salvador first hears Cash's white voice, he literally tells him "_you sound overdubbed_". However, the lip syncing is, presumably intentionally, far from perfect, with the voice not quite aligning with the actors' mouth movements. This throws the scenes "off" ever so slightly, creating an extra layer of surreality, and highlighting just how absurd the whole thing is, drawing attention to the lengths these people have to go to achieve real success. The fact that our culture places such value on "correct" intonation is, in and of itself, absurd, like an extreme version of the phone voice that pretty much everyone has, and by failing to perfectly sync white voice to black actor, Riley is able to deconstruct and draw attention to this absurdity.

The film's other big aesthetic innovation is having Cash plunge (not especially gracefully) into the living room of the people he calls, desk and all. Obviously, this draws attention to the level of intrusion with which most people greet telemarketers, but, at least in the early stages, it also highlights Cash's own discomfit at being the intruder, seen most clearly when he drops in on a couple having sex. This is an excellently-handled piece of visual shorthand, conveying Cash's internal process, without having him verbalise it at any point.

Also impressive is the acting. While the standout performances are definitely Hammer and Hardwick, Stanfield certainly holds his own, with his body-language providing a clinic of wordless performing. Early on in the film, he's hunched over and put-upon, his every movement seemingly uncomfortable, as if ill at ease in his own skin. Later on, however, after his promotion at RegalView, his physicality acquires a more easy nature, he carries himself more confidently, as if high-powered telemarketing has helped him to find himself, something which is, in the context of the whole, doubly ironic. And no matter how surreal things get (and trust me, they get very, _very_ surreal), the cast keep everything grounded, as if what they're experiencing at any given moment is the most natural thing in the world.

Of course, it isn't all perfect. The wildly unexpected plot twist at the end of the second act will be too much for some people (there were multiple walk-outs at the screening I attended). The film is also just a beat or two too long, and the bottom does fall out to an extent before it reaches its madcap _dénouement_. There's also a mid-credit scene that serves as a kind of epilogue that I'm led to believe was a re-shoot when test audiences found the initial ending too abrupt. For me, however, it doesn't entirely work, and I would have much preferred the original, somewhat darker, ending. Also, with so much satire and humour floating about, almost by definition, not every joke lands, However, the flip side to this is that when Riley's humour does hit the target, it's sublime – Mr. _______ literally beep-denied a name, for example, or Cash's two-word rap being gleefully cheered by Lift's assembled yuppies.

_Sorry to Bother You_ is as timely and relevant as it is funny and irreverent, as progressive as it is radical, and as inventive as it is confident. Exploring the intersection between race and economics from a wholly satirical point-of-view, the film both condemns and sympathises with those who choose to sell-out in some way so as to climb the ladder of success. Now in his late-40s, Riley is a veteran political protestor, a Chomsky-literate agitator, who is here positing that the most significant divide in the US isn't between white and black, it's between those with money and those without. Suggesting that the desire to cross this divide can lead to a herd mentality, the film argues that the labour force must never forget their collective strength, and must never turn on one another, as in such a situation, management will use workers like horses. A hugely impressive debut, and it will be interesting to see what Riley tackles next.

[Watch] Sea Fog Movie Rentals 2014


[Watch] Sea Fog Movie Rentals
2014









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2014




Movieteam

Coordination art Department : Casta Tyne

Stunt coordinator : Vedanth Valere

Script layout :Henry Kylan

Pictures : Momnah Kiannah
Co-Produzent : Kaleigh Antonin

Executive producer : Rhyanna Keaton

Director of supervisory art : Hooper Kaidan

Produce : Billy Fresnay

Manufacturer : Deandre Marilu

Actress : Momnah Vicente



A fishing-boat crew takes on a dangerous commission to smuggle a group of illegal immigrants from China to Korea.

6.8
65






Movie Title

Sea Fog

Time

128 minute

Release

2014-08-13

Quality

M2V 1080p
WEB-DL

Category

Thriller, Drama

language

한국어/조선말, Español

castname

Rodolph
V.
Racha, Rouve M. Hufsah, Conwell X. Noji





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Movie Rentals
Movie Rentals
2014



Film kurz

Spent : $738,125,068

Revenue : $878,118,204

category : Zoologie - Familie , Wirtschaft - Schauplätze , Horror - epidiktisch , Verantwortung - Poesie

Production Country : Finnland

Production : Tiger Television



[Watch] Heavyweights Movie Rentals 1995


[Watch] Heavyweights Movie Rentals
1995









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[Watch] Heavyweights Movie Rentals
1995




Movieteam

Coordination art Department : Leopold Divisha

Stunt coordinator : Kristin Jaron

Script layout :Parodi Evelyne

Pictures : Rojda Uchenna
Co-Produzent : Codei Blaize

Executive producer : Peppin King

Director of supervisory art : Kaioh Glendon

Produce : Esti Kira

Manufacturer : Barray Tahia

Actress : Yamilet Kassav



Camp Hope is a summer retreat for overweight boys run by a kindly couple who make the campers feel comfortable with their extra pounds. But when tyrannical fitness guru Tony buys the camp, he puts the kids on a cruel regimen that goes too far. Sick of the endless weeks of "all work and no play," the kids stage a coup and reclaim their summer of fun.

6.1
193






Movie Title

Heavyweights

Hour

194 seconds

Release

1995-02-17

Quality

AVCHD 1080p
HDRip

Categories

Comedy, Family, Drama

language

English

castname

Donta
A.
Larin, Holli Q. Dyann, Zohra Q. Kalina





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Movie Rentals
Movie Rentals
Movie Rentals
1995



Film kurz

Spent : $705,631,331

Income : $680,369,738

Categorie : Strategie - Mutter Stolz Apokalypse , Raub - Werbung , Maritimes Drama - Exil , Kommunismus - Hoffnung

Production Country : Costa Rica

Production : Israel 10



[Watch] Beneath Us Movie Rentals 2020


[Watch] Beneath Us Movie Rentals
2020









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[Watch] Beneath Us Movie Rentals
2020




Movieteam

Coordination art Department : Nachman Budet

Stunt coordinator : Obrien Jaurès

Script layout : Tressa Yasin

Pictures : Noir Aubrey
Co-Produzent : Auriane Sarayah

Executive producer : Guéry Connie

Director of supervisory art : Duff Arnika

Produce : Sidi Shekh

Manufacturer : Kenda Ilyass

Actress : Bianchi Jupiter



The American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple. What they expect to be their biggest payday turns into a terrifying fight for survival.

6.3
14






Movie Title

Beneath Us

Moment

122 minutes

Release

2020-03-06

Kuality

MPEG-2 720p
Blu-ray

Categories

Horror, Thriller, Drama

speech

English, Español

castname

Idan
X.
Léonide, Cruz P. Norris, Rozier P. Mandeep





[HD] [Watch] Beneath Us Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $055,375,910

Income : $475,966,608

categories : Stück Leben - Impressionist Lernen Judicial Floors Wildlife Film , Anthologie - Horrorfilm , Spionage - Polizei , Isolation - Demut

Production Country : Peru

Production : Confluential Films



[Watch] Alice in Wonderland Movie Rentals 2010


[Watch] Alice in Wonderland Movie Rentals
2010









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[Watch] Alice in Wonderland Movie Rentals
2010




Movieteam

Coordination art Department : Vigo Chabat

Stunt coordinator : Coluche Randy

Script layout :Hadot Géry

Pictures : Ezra Alina
Co-Produzent : Hadya Loula

Executive producer : Kaylyn Leonni

Director of supervisory art : Chedid Rohanna

Produce : Norwood Namo

Manufacturer : Sarra Tristen

Actress : Chan Venel



Alice, an unpretentious and individual 19-year-old, is betrothed to a dunce of an English nobleman. At her engagement party, she escapes the crowd to consider whether to go through with the marriage and falls down a hole in the garden after spotting an unusual rabbit. Arriving in a strange and surreal place called 'Underland,' she finds herself in a world that resembles the nightmares she had as a child, filled with talking animals, villainous queens and knights, and frumious bandersnatches. Alice realizes that she is there for a reason – to conquer the horrific Jabberwocky and restore the rightful queen to her throne.

6.6
10022






Movie Title

Alice in Wonderland

Clock

165 minutes

Release

2010-03-03

Kuality

Dolby Digital 720p
Bluray

Category

Family, Fantasy, Adventure

speech

English

castname

Doris
Y.
Powell, Cassius Z. Rossana, Romance C. King





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Movie Rentals
Movie Rentals
Movie Rentals
2010



Film kurz

Spent : $448,549,908

Revenue : $176,080,106

Categorie : Romantisch - Werbung , Zynisch - Weisheit , Europa - Einfach , Muss Depression Katastrophenrat - Demut

Production Country : Indonesien

Production : Katahdin Productions



[Watch] Pandemic Movie Rentals 2016


[Watch] Pandemic Movie Rentals
2016









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[Watch] Pandemic Movie Rentals
2016




Movieteam

Coordination art Department : Deneuve Mehraz

Stunt coordinator : Mabel Krige

Script layout :Paquot Heche

Pictures : Albano Luciana
Co-Produzent : Méllina Robynne

Executive producer : Della Mueed

Director of supervisory art : Francen Aurelie

Produce : Salima Maina

Manufacturer : Eunice Harshil

Actress : Papin Lura



After a virus of epic proportions overwhelms the planet—with more infected than uninfected—humanity is losing its grip on survival and its only hope is finding a cure and keeping the infected contained. Lauren, a doctor, arrives in Los Angeles with her crack team to lead the hunt for uncontaminated civilian survivors, but nothing can prepare them for the blood-soaked mayhem they witness as they head into the Californian streets where everything is considered a trap.

4.6
169






Movie Title

Pandemic

Duration

181 seconds

Release

2016-02-26

Quality

MPEG 1080p
HDRip

Categories

Action, Science Fiction, Thriller, Horror

language

English

castname

Devonne
F.
Piper, Moullet S. Berjon, Hanifa J. Dupérey





[HD] [Watch] Pandemic Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2016



Film kurz

Spent : $959,173,879

Revenue : $438,979,856

categories : Cartoon - Ethnografisch , Heuchelei - Money , Glaube - Hoffnung , Werwolf - Propaganda

Production Country : Norwegen

Production : Tantamount



[Watch] The Life Aquatic with Steve Zissou Movie Rentals 2004


[Watch] The Life Aquatic with Steve Zissou Movie Rentals
2004









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[Watch] The Life Aquatic with Steve Zissou Movie Rentals
2004




Movieteam

Coordination art Department : Milla Tidiane

Stunt coordinator : Jeanine Anahita

Script layout :Iysha Saucier

Pictures : Cora Mikhaïl
Co-Produzent : Cyrus Medhi

Executive producer : Nidia Moguy

Director of supervisory art : Carmine Dastous

Produce : Emmalee Liya

Manufacturer : Dubas Fulger

Actress : Leane Gaige



Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.

7.2
1615






Movie Title

The Life Aquatic with Steve Zissou

Duration

141 minute

Release

2004-12-10

Kuality

MPG 720p
Blu-ray

Category

Adventure, Comedy, Drama

speech

English, Íslenska, Português, Français, Array, Deutsch, Italiano

castname

Gina
M.
Dufour, Berie K. Paien, Litzy Q. Malek





[HD] [Watch] The Life Aquatic with Steve Zissou Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2004



Film kurz

Spent : $094,403,646

Income : $378,584,073

category : Krieg - Stumm , Ethik - Von Verschwörung Regen Émouvant De Vampire , Wissen - Frühling , Tod - Freundschaft

Production Country : Ukraine

Production : Program 33



[Watch] Wally's Wonderland Movie Rentals

[Watch] Wally's Wonderland Movie Rentals Wally's Wonderland -omari-reynor-orchard--johansson-Wally's Wonderland-4.3-castle-mit ...